At the York Theatre until February 21, 2016
BigMouth is an extraordinary performance by Valentijn Dhaenens, produced by SkaGeN (Belgium) and Richard Jordan Productions (UK), and presented by The Cultch. BigMouth. Big performance. Big message.
Valentijn Dhaenens in BigMouth. Credit: Maya Wilsens
At the Wong Experimental Theatre, SFU (149 West Hastings) until February 21, 2016
Dust off all the superlatives: Robert Lepage is back in town. A national treasure – in French and English – Lepage is not to be missed.
Robert Lepage in 887. Credit: Erik Labbé
At the Arts Club BMO Theatre Centre (162 West 1st Avenue) until February 28, 2016
She’s short and buxom and has a pair of lungs that puts the roof on the new Arts Club’s Goldcorp theatre to the test. She is Patricia Cano; she sings in four languages – English, French, Cree and Spanish; she comes loaded with credentials and has a wild and crazy comedic edge.
Patricia Cano as Marie-Louise Painchaud in The (Post) Mistress. Credit: Emily Cooper
At The Stanley until February 28, 2016
In Jane Austen’s novel Pride and Prejudice, Mr. Darcy does not kiss Miss Elizabeth Bennet at the end. That would have been ungentlemanly of him – and he certainly is a gentleman.
Naomi Wright as Elizabeth Bennet and Eric Craig as Mr. Darcy in Pride and Prejudice. Credit: David Cooper
At the Firehall Arts Centre until February 6, 2016
Huff is one of those shows that leaves the audience quiet, unable or reluctant to applaud for several moments. It’s not the kind of show that you ‘like’; it’s the kind of show that, even when laughing, fills you with deep sorrow.
Cliff Cardinal in Huff. Credit: Akipari
At the Western Front until February 6, 2016
After an uninterrupted hour-and-a-half into the two-hour, intermission-free show, I was beginning to have a physical reaction to Eternal, part of the PuSh International Performing Arts Festival.
Christina Rouner in Eternal. Credit: Thomas Dunn
At Pacific Theatre until February 14, 2016
If the wages of sin are death, the wages of sleeping with someone else’s husband are arguably worse.
Robert Garry Haacke and Shauna Johannesen in Common Grace. Credit: Ron Reed
At the York Theatre until January 30, 2016 (2PM and 8PM)
On the day Charlie Demers was born – July 1, 1980 – his mother made two predictions: Charlie would be a comedian (because he peed on his doctor that day) and, secondly, he would become Prime Minister of Canada.
Charlie Demers in Leftovers. Credit: Tim Matheson
At the Arts Club Granville Island Stage until February 13, 2016
The historical period that writer/director/performer Rick Miller covers with lightning speed starts with a boom and ends with a boom: the August 6, 1945 bombing of Hiroshima and the launch of Apollo II on July 16, 1969.
At the Firehall Arts Centre until January 30, 2016
American playwright Stephen Adly Guirgis handed publicists a marketing nightmare with the title of his 2011 play, The Motherf**ker with the Hat.
Stephen Lobo, Kyra Zagorsky, John Cassini, Francisco Trujillo and Lori Triolo in The Motherf**ker with the Hat. Credit: Brian Markinson