At the Firehall Arts Centre until June 9, 2018
Playwright Amy Lee Lavoie could not have predicted the #MeToo movement when she started writing C’mon, Angie! a year and a half ago. The subject of sexual harassment/sexual assault/consent has skyrocketed in last few years and C’mon, Angie! could not be more timely.
Robert Moloney as Reed and Kayla Deorksen as Angie in C’mon, Angie! Credit: Tim Matheson
At The Cultch May 30, 31 and June 1, 2018
It’s the most wildly imaginative take on the Scottish play I’ve ever seen. See it!
Jérémie Francoeur (Macbeth) and Clara Prévost (Lady Macbeth) in Macbeth Muet. Credit: Sophie Gagnon-Bergeron
At the Shadbolt Centre until May 26 (sold out); Progress Lab, May 31-June 2 (some tickets still available)
Kim Collier and Daniel Brooks, performers, past winners of the prestigious Siminovitch Prize for directing, are in love, consumed by love and, being the inquisitive theatre artists they are, are curious about the True Nature of Love.
Kim Collier and Daniel Brooks. Credit: Kyle Purcell
At The York Theatre until May 27, 2018
More than a romance, Les Filles du Roi is a tale of reconciliation that the play suggests is the direction Canada needs to take.
Raes Calvert as Jean-Baptiste, Kaitlyn Yott as Kateri and Julie McIsaac as Marie-Jeanne in Les Filles du Roi. Credit: David Cooper
At The Stanley until August 12, 2018
It’s so cheesy and I love it. A pox on those who mock Mamma Mia!
Cathy Wilmot as Rosie, Stephanie Roth as Donna and Irene Karas Loeper as Tanya in Mamma Mia! Credit: David Cooper
At Kay Meek Arts Centre until May 19, 2018
Why do dog owners pay thousands of dollars to surgicallyremove gloves, sox or rocks that their respective Rovers or Spots mistook for actual food? Why are they willing to look ridiculous carrying around bags of doggie doo-doo? The Best Brothers tells all.
Ryan James Miller as Kyle and Aidan deSalaiz as Hamilton in The Best Brothers.
At the Russian Hall until May 27, 2018
ITSAZOO Productions is in-your-face theatre. There’s no getting away from it. And it can be scary.
Genevieve Fleming as Burns in WET. Credit: Matt Reznek
At the Vancouver Playhouse until May 12, 2018
With apologies to writer/director Morris Panych and the twelve-piece Vancouver Opera Orchestra under the baton of Leslie Dala, the real stars of The Overcoat: A Musical Tailoring are the design team: Wendy Gorling (movement), Ken MacDonald (set), Alan Brodie (lighting) and Nancy Bryant (costumes).
Geoffrey Sirett as Akakiy and the the Mad Chorus in The Overcoat: A Musical Tailoring. Credit: Dahlia Katz
At the York Theatre until May 5, 2018
I love Canadian theatre and how it reflects and challenges our values but it’s so stimulating to see something ‘from away’ – far away. The History of the World (Based on Banalities) comes from Belgium’s Kopergietery, a theatre company known for innovation.
Titus De Voogdt in The History of the World (Based on Banalities). Credit: Phile Desprez
At the Firehall Arts Centre until May 5, 2018
‘Mutt’ is usually used fondly but dismissively: “Oh, he’s just a mutt”, dog owners might say when asked about the breed of their dog. But mutt lovers can tell you crossbred dogs are robust and interesting and, if you’re lucky, the dogs get the best of all that colourful, mixed-up gene pool.
Sheldon Elter in Métis Mutt. Credit: Marc J. Chalifoux