Bard on the Beach (Vanier Park) to September 20, 2024
Unless you have two sets of identical twins in your theatre company – and what company would have? – mounting The Comedy of Errors is an interesting challenge for a director.
Synthia Yusuf as Luciana in The Comedy of Errors. Credit: Emily Cooper
Bard on the Beach (Vanier Park) to September 20, 2024
On opening night of Measure for Measure I found myself amidst a crowd of theatre goers laughing their faces off and woo-hooing with glee while I’m thinking, “This is just silly.” And not in a good way.
Karthik Kadam as Lucio in Measure for Measure. Credit: Emily Cooper
Arts Club Granville Island Stage to August 11, 2024
Directed by Rachel Peake this is a good show performed by six extremely capable musicians/singers. And despite the fact that country music has never been my thing, my toe did do a little tapping.
Frankie Cottrell as Johnny Cash in Ring of Fire: The Music of Johnny Cash. Credit: Moonrider Productions
Bard on the Beach to September 20, 2024
This is a Hamlet of which Bard on the Beach can be truly proud. Invite your visitors. Show it off. Shakespeare doesn’t need all the bells and whistles to remind us the plays are still relevant, still enthralling.
Nadeem Phillip Umar Khitab as Hamlet in Hamalet. Credit: Tim Matheson
Bard on the Beach (Vanier Park) to September 21, 2024
Look out, Shakespeare! This production could be called Twelfth Night: The Musical. Director Diana Donnelly, composer Veda Hille, musical director Anton Lipovetsky (keyboards/guitar and Feste) and Charlie Gallant (Sebastian/electric guitar) have played fast and loose with your Twelfth Night or What You Will.
The Twelfth Night company. Centre: Anton Lipovetsky. Set design: Pam Johnson. Lighting design: Sophie Tang. Costume design: Mara Gottler. Credit: Tim Matheson
The Vancity Culture Lab at the Cultch to June 23, 2024
Medicine works best when it nearly kills you – or so the saying goes. This Medicine won’t kill you and maybe it will ring alarm bells about what director Richard Wolfe says, “what can happen to those who are not like Other People, those who are damaged by the world around them – and then forgotten.”
Nyiri Karakas (Mary 1), Jay Clift (John) and Genevieve Fleming (Mary 2) in Medicine. Credit: Emily Cooper
PAL Studio Theatre to June 23, 2024
You can call Elizabeth a “super senior” at well over a hundred years old, but fergawdsake, don’t call her Lizzie or Liz or worst of all “dear”. Elizabeth, played by Super Senior playwright Kathryn Shaw, will turn her caustic wit on you and verbally flay you if you do.
Kathryn Shaw as Elizabeth in Super Seniors. Credit: Javier Sotres
Jericho Arts Centre to June 23, 2024
Under the artistic direction of Sarah Rodgers, United Players (in association with Touchstone Theatre) closes its terrific 2023-2024 season with Dorothy Dittrich’s sung-through musical When We Were Singing.
Front: Rachel Kent (Jenny) and Nevada Banks (Abby). Rear: Michael Briganti (Les) and Viviana Renteria (Belinda) in When We Were Singing. Credit: Nancy Caldwell
Stanley Industrial Alliance Stage to June 30, 2024
Guys and Dolls is an oldie but a goodie given new life by director Ashlie Corcoran and a super-talented ensemble of some two dozen singers and dancers plus live music under the direction of Ken Cormier.
The ‘Guys’ in Guys and Dolls with Josh Epstein as Nathan Detroit (centre). Credit: Moonrider Productions
At Jericho Arts Centre to May 19, 2024
Note to aspiring playwrights: If you want to know how it’s done, go and see Brian Friel’s The Freedom of the City at Jericho Arts Centre, directed by Joan Bryans, artistic director of Vital Spark Theatre.
Liam McCulley as Skinner, Geneva Perkins as Lily and and Isaac Andrew as Michael in The Freedom of the City. Credit: Nancy Caldwell