At the Arts Club Revue Stage until February 8, 2014
“Asha, Asha, we all fall down” – laughing, that is. Like a plump, benevolent Buddha (although Jain is her religion), Asha Jain sits with her hands in the lap of her bright pink sari and beams across the table at her son Ravi.
Asha Jain in A Brimful of Asha. Credit: Erin Brubacher
At Pacific Theatre until February 8, 2014
If anyone can make power-mad, dissolute Angelo look repentant at the end of Shakespeare’s Measure for Measure, it’s Simon Webb. Woebegone, eyes averted, he speaks the lines, “Immediate sentence then, and sequent death/Is all the grace I beg” with such sincerity, Webb does tug a little on the heartstrings.
Simon Webb and Pippa Johnstone in Measure for Measure. Credit: Ron Reed
At the Jericho Arts Centre until January 12, 2014
Thanks to director/creator Joan Bryans, I will never enter a polling booth again without thinking of Emmeline Pankhurst (1858-1928), leader of the British suffragette movement back in the early days of the 20th century. It’s easy to forget how these courageous activists paved the way for the rest of us.
Barbara Ellison (centre) as Emmeline Pankhurst in Rebel Women. Credit: Nancy Caldwell
At The Cultch until January 18, 2014
Uncle Vanya is one of Anton Chekhov’s funniest plays and John Wright, directing for Blackbird Theatre, captures all the humour he can find in it.
Robert Moloney and Luisa Jojic in Uncle Vanya. Credit: Tim Matheson
Reading back over all of my 2013 reviews – about a hundred and fifty of them – brings back such wonderful memories: this script, that actor, this set design, that soundscape. Here’s what stood out for me beginning with Terminus, a pi theatre production directed by Richard Wolfe.
Pippa Mackie in Terminus. Credit: Ian Snow
Under the White Big Top in the Village on False Creek until January 5, 2014
For joy, there’s no better place than under the White Big Top where sixty-seven horses gambol with forty-eight two-legged performers. This is Odysséo, Cavalia’s new show that brings men, women and horses together in such an atmosphere of mutual respect that your heart will almost burst with delight.
Oasis. Credit: Pascal Ratthé
At York Theatre until December 29, 2013
Well, the beans have now been spilled: the York Theatre, operated by the Cultch, is open again for business. It’s monkey business in the form of an East Van pantomime complete with a bone-grinding giant and a naïve little boy who trades the family’s cow for a handful of beans.
Patti Allan, Allan Zinyk, Maiko Bae Yamamoto and Dawn Petten in Jack & the Beanstalk. Credit: Emily Cooper
At Havana Theatre until December 14, 2013
Lungs will hit a lot of childless, 30-something couples right where they’re at: to have a baby or not to have a baby.
Stephanie Izsak and Kayvon Kelly in Lungs
At Little Mountain Gallery until December 8, 2013
The opening scene of this Main Street Theatre production found all of us on opening night tightly packed into a space that makes ‘intimate’ seem barn-like by comparison. How intimate? When you enter the theatre, you step right out onto the stage so don’t, for heaven’s sake, come late. (Curtain is at 7:30. Doors open at 7). Cheek by jowl with everyone else, we laughed our heads off.
Ryan Beil as Felix Ungar in The Odd Couple. Credit: BeattieOei
At The Cultch Historic Theatre until December 15, 2013
Proudly sporting a Movember ‘stache, Burkett warns those of us who love his bittersweet existential shows that The Daisy Theatre is just going to be silly fun. And not necessarily good clean fun: “I hope I offend all of you.” Off to a good start, he refers to Heather Redfern, The Cultch’s executive director, as “Heather Rugburn”. Naughty boy.
Jolie Jolie in The Daisy Theatre